Led by a modern-day Linda Ronstadt, Granville Automatic writes songs the Associated Press calls “haunting tales of sorrow and perseverance.” With influences as diverse as The Smiths, Emmylou Harris, Simon & Garfunkel and Dawes, Granville Automatic has created a one-of-a-kind sound that revolves around their passion for storytelling. The duo, comprised of Nashville songwriters Vanessa Olivarez and Elizabeth Elkins, is named after a 19th-century typewriter.
The girls’ devotion to the project has proved a chaotic road of back-breaking touring, interpersonal tension, former-day-job balancing, other-band leaving, and a love-hate dynamic that brought them from Atlanta to Nashville. Theirs is a creative partnership reminiscent of Lennon-McCartney, a dreamer-doer, accessible-obtuse, country-rock collision of two polar opposites. What the two share, however, is a love for nostalgia: old records and antiques, tarot cards and dusty books, ghosts on battlefields and lost stories from the past. That common ground has produced four historically-minded albums widely praised from The New York Times to an Editor’s Pick in No Depression.
A true “chameleon of song”, Michael blends genres and creates something uniquely his own.
Few songwriters can say they have had a $1.5 million showroom built for their music. Michael’s Wyoming based band has packed the house every Tuesday night in Jackson Hole’s Historic Silver Dollar Bar for over 10 years and the owners enthusiastically accommodated the demand. Fewer songwriters can say they have dedicated 15 years of their life to serving at-risk youth in a Wilderness Therapeutic Program. Mix this all in with the landscape of Wyoming’s western Mountains and you get a snapshot of Michael’s unique muse.
Sometimes people have an obvious purpose in life that is pursued even as a youth. Michael Batdorf received his first guitar at age 12 and started, immediately, writing his own songs. After a few years, he began recording his creations in his own little studio, which had a huge impact on his craft in allowing him to explore the depths of a song beyond just a guitar and a voice. Even before he acquired any musical equipment, Michael had taken an interest in lyrical study and writing. His interest in poetry through early childhood led him to write words for his own songs.
Rock ‘n’ Roll ain’t pretty and neither is Scott H. Biram. The self proclaimed ‘Dirty Old One Man Band’ successfully, and sometimes violently, lashes together blues, hillbilly and country precariously to raucous punk and godless metal.
Biram ain’t no candy-ass singer/songwriter either, sweetly strumming songs about girls with big eyes and dusty highways. His singing, yodeling, growling, leering and brash preachin’ and hollerin’ is accompanied by sloppy riffs and licks from his ’59 Gibson guitar and pounding backbeat brought forth by his amplified left foot. The remainder of this one-man band consists of an unwieldy combination of beat-up amplifiers and old microphones strung together by a tangled mess of guitar cables.
Spit from the heart of America’s Rust Belt, arising from a night of flophouse violence. Drifting across the states, they cemented their sound in Portland, OR and later in Los Angeles, CA, where they lived in abandoned buildings, squatter camps, storage units and shoebox apartments.
In 2007, they left everything behind and spent the next 4 years living out of whatever vehicle would get them to the next town. Building upon their original sound of twanged-out, punk rock gutterbilly (Life of Sin 2004 and Gutterbillyblues 2007), they began picking up stray musicians along the way and adding to their sound; washboard, accordion, mandolin and banjo (Ghost of the Rails 2009 and 7 Devils 2011) creating a sound referred to as “hobocore”, “gypsy-punk” or “americana-punk”, while never being stuck in any one sound.
Enter 2018 and The Goddamn Gallows have reinvented themselves once again with The Trial. From rockabilly, psychobilly and punk rock, to bluegrass and metal, The Trial infuses disparate sounds into a new strange recipe of seamless genre bending profundities.
Winter is right around the corner and what better way to get stoked than with a DOUBLE premiere of winter films to benefit Whitefish Freestyle Inc., the non profit organization that raises money for the local ski and snowboard teams.
Local Professional, Chris Logan, will be premiering Level 1’s production “Romance” in which he is featured riding. Afterwards, Tanner Hall will premiere his new project “In The Meantime”.
There will be raffle giveaways and all proceeds will be donated to WFI and the local shredders involved.
ALL AGES WELCOMED!!
Jameson and The Sordid Seeds is a rock/reggae/blues/soul powerhouse known for its electric live performances and captivating song writing. Hailing from Whitefish, Montana, they have developed a solid following throughout the Western United States.
PEELANDER-Z, the Japanese Action Comic Punk Band based in NYC, was originally formed in 1998 by Peelander-Yellow, Peelander-Red, and Peelander-Blue, after meeting in New York City (although they’ll tell you they’re all from the Z area on the planet Peelander). Peelander-Green was welcomed in July 2008 after Blue left the band.
Peelander–Z has appeared at major music festivals including Bonnaroo and the Vans Warped Tour and has also been featured on TV programs such as VH1’s “Best Week Ever” and Comedy Central’s “Upright Citizens Brigade” among others. The band has also been covered by SPIN, Rolling Stone, Village Voice, NPR and The Onion among many others.
At its live shows, Peelander–Z guarantees intense audience participation and a chance to exercise. You’ll see the band in colorful costumes reminiscent of Japanese anime, though they describe their outfits as their skin. You’ll also see The Red Squid, human bowling and all around insanity. A Peelander–Z performance is a rare occasion for the entire family to rock out and have a great time.
Jeff ‘J.D.’ Pinkus is an American bassist best known for his work with American punk band Butthole Surfers from 1985 to 1994 and since the 2009 reunion.
In 1990, he and Butthole Surfers’ lead vocalist Gibby Haynes released Digital Dump, the only album from their psychedelic house music side project The Jackofficers.
Upon leaving Butthole Surfers, Pinkus worked full-time with the Austin trio Daddy Longhead, which he had assembled during his waning months in the band, and which included longtime Atlanta associate Jimbo Young on guitar and Rey Washam on drums. Daddy Longhead retired after 10 years, leaving Pinkus free to explore other projects including Skinny Leonard and Areola 51. Pinkus played with Helios Creed on his albums ‘NUGG: The Transport' and ‘Activated Condition’ , and has also collaborated with Bad Livers frontman Danny Barnes several times in a live setting.
Jackson Holte & The Highway Patrol are a Grammy-eligible rock and roll band from Missoula, MT, formed by several of the town’s greasiest bar-band veterans in 2017. Jackson Holte is a hard-nosed, soft-spoken folk-rock dirtbag who aspires only to possess the cathartic wit of John Prine and the biceps of Kris Kristofferson. The Highway Patrol are Brian Tremper on drums, Tyson Gerhardt on guitar, and Marko “The Midnight Shadow” Capoferri on bass; a band hotter than the furnaces of Nebuchadnezzer.
The band released their eponymous debut EP in September of 2018 and have since shared stages with local favorites like Quinlan Conley & the I-90 Blues, Laney Lou & the Bird Dogs, and The Hasslers, as well as national acts like Quaker City Night Hawks, Hellbound Glory, Ward Davis, Lost Dog Street Band, and Reckless Kelly. They were lauded by the town drunk as “the best band ever to play Virginia City.” The summer of 2019 finds the boys travelling far and wide to make music for people who still read band bios.
Never self-serious while far from a joke at the same time, Nekromantix is a musical unearthing of the biggest themes from the greatest works of monster, zombie, vampire, werewolf and b-horror fiction; ripped from literature, comic book pages or classic celluloid. Nekromantix chases a darkly romantic muse with an even darker humor.
The Nekromantix catalog boasts enduring genre classics like the unapologetically hooky yet undeniably fierce “Who Killed the Cheerleader?” and “Gargoyles Over Copenhagen” alongside subversively sentimental cuts like “Haunted Cathouse” and “Subcultural Girl.” There are echoes of rock n’ roll’s greats and punk rock icons alike, all with modern flair.
A Symphony of Wolf Tones & Ghost Notes broadens the Nekromantix legacy with expansive ambition that never sacrifices the trio’s inherent grittiness, furiously stoking and reshaping the flames of the creative vision begun in Denmark with legendary labels like Nervous Records, through the band’s master classes in punk n’ roll albums stateside with Hellcat Records, the label cofounded by Tim Armstrong and Brett Gurewitz.